|
|
|
|
|
|
Hans Holbein
William Warham,archeveque de Canterbury en 1504
Bois
H.0.82
L.0.66
Paris,Musee du Louvre
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Hans Holbein
Anne de Cleves reine d'Angleterre,quatrieme epouse d'Henri VIII
mk70
Toile
H.0.65
L.0.48
Paris,Musee du Louvre
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Hans Holbein
Erasme ecrivant
mk70
Bois
H.0.42
L.0.32
Paris,Musee du Louvre
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Hans Holbein
Recreation by our Gallery
mk79
1526-1528
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Hans Holbein
John Fisher Bishop of Rochester
mk160
c.1528
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Hans Holbein
Sir Thomas Wyatt
mk160
diplomat
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Hans Holbein
The Virgin and the Nino
mk166
1499
I Wave on wood National Museum Germanico Nuremberg
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Hans Holbein
The Younger
mk216
Sir Henry Guildford Holbein was the supreme portrait painted of the northen Renaissance
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Hans Holbein
Edward VI as a child
mk234
probably
about 1538
57x44cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Hans Holbein
Sir Brian Tuk
mk234
about 1527
49x39cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Hans Holbein
Konstnarens with wife Katherine and Philipp
mk234
about 1528
77x65cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Hans Holbein
sir richard southwell
mk248 nar det bar par portrattet malades bade soutbwell varit sberiff av suffolk ocb norfolk i tva ar, trots att ban blivit domd for mord, holbein formedlar en viss obebaglig kansla bos mannen men som alltid pa sitt objektiva satt, den orakade bakan nedanfor den banfulla munnen drar askadarens blickar till arret pa balsen.
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Hans Holbein
anna av kleve
mk248 tudorperioden var intrigernas ocb svekens tid. i det bar portattet av henrik viii s fjarde bustru bar holbein kanske med sin omsorgfulla penselforing slatat over de drag som fick kungen att kalla balla marren fran flandern nar ban traffade benne forsta gangen . hennes dyrbart utmyckade kladsel drar blickarna fran ansiktsuttrycket. kan det ba varit en ledtrad for nar kungen ocb anna val bade gift sig var henrik var henrik redan beredd att bestalla holbeins portratt av busteu nummer fem.
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Hans Holbein
Our Lady Meyer
mk252 Linden wood painting 146.5 x 102 cm in 1526
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Hans Holbein
John
mk252 Toner on the specialty paper, black ink, watercolors, opaque watercolor 36.3 x 29.5 cm in 1526
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Hans Holbein
Nicolas Clerides Zheer
mk252 oak panel painting 83 x 67 cm in 1528
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Hans Holbein
Ward Tuomasihe
mk252 oil painting of wood 80.3 x 61.6 cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Hans Holbein
Do not touch me
mk252 oak panel painting 76.7 x 95.8 cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Hans Holbein
With squirrels and birds swept Europe and the portrait of woman
mk252 oak panel painting 56 x 38.8 cm in 1528
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Hans Holbein
Robert Qiesi Man
mk252 oak panel painting 59 x 62 cm in 1533
|
| |
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
| Hans Holbein
|
German
1497-1543
Hans Holbein Galleries
Holbein always made highly detailed pencil drawings of his portrait subjects, often supplemented with ink and colored chalk. The drawings emphasize facial detail and usually did not include the hands; clothing was only indicated schematically. The outlines of these drawings were then transferred onto the support for the final painting using tiny holes in the paper through which powdered charcoal was transmitted; in later years Holbein used a kind of carbon paper. The final paintings thus had the same scale as the original drawings. Although the drawings were made as studies for paintings, they stand on their own as independent, finely wrought works of art. How many portraits have been lost can be seen from Holbein's book (nearly all pages in the Royal Collection) containing preparatory drawings for portraits - of eighty-five drawings, only a handful have surviving Holbein paintings, though often copies have survived.
David Hockney has speculated in the Hockney-Falco thesis that Holbein used a concave mirror to project an image of the subject onto the drawing surface. The image was then traced. However this thesis has not met with general acceptance from art historians.
A subtle ability to render character may be noted in Holbein's work, as can be seen in his portraits of Thomas Cromwell, Desiderius Erasmus, and Henry VIII. The end results are convincing as definitive images of the subjects' appearance and personality.
|
